The Nazis would feel right at home

When Libs get talkin'  'bout racial purity ....

There’s something in the arguments we read about “cultural appropriation” and its insidiously racist effects, but we’re only further confused. We have some belly-dancing white women friends who have been accused of degrading the Oriental cultures they’re intending to perpetuate, and we’ve read countless column inches from college-educated black columnists about how Elvis Presley stole the sounds that he couldn’t help hearing through the open windows of his subsidized housing right next to Beale Street and the heart of the blues, and we’ve yet to read a single word about Kathleen Battle or Jessye Norman or Wynton Marsalis or any of the other truly great black musicians who have done similarly well with the undeniably European repertoire of classical music, and we dare anyone to say anything bad about Johnny Otis, who was the undeniably white son of Greek immigrants who grew up in a black neighborhood and went on to be one of the notable and best-selling in the black neighborhoods rhythm and blues artists of the “race record” days, and all of this racial purity cultural stuff, even from the most well-intentioned of the liberal press, has a slightly odious Nazi whiff about it.