But if they're hoping that their seminar will win them props from filmmakers in general — a picture or two celebrating their courageous work in the war on terror — I suspect they are going to be disappointed. In the history of our time as told by the movies, the war on terror largely does not exist.
Which is passing strange, you know. Because the war on terror is the history of our time. The outcome of our battle against the demographic, political and military upsurge of a hateful theology and its oppressive political vision will determine the fate of freedom in this century.
Television — more populist, hungrier for content and less dependent on foreign audiences — reflects this fact with shows such as "24" and "The Unit." But at the movies, all we're getting is home-front angst and the occasional "Syriana," in which "moderate" Islam is thwarted by evil American interests. But the notion that this war is about our moral failings is comfort fantasy, pure and simple. It soothes us with the false idea that, if we but mend ourselves, the scary people will leave us alone.
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Saturday, January 27, 2007
Is Hollywood too timid for the war on terror?
Why are the only movies on the war favorable to the Islamofascists? The FBI tried to change this, but...
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