The twentieth century was the high point of mass culture—or “the overculture” as some call it. Any culture that could produce Citizen Kane, Casablanca, and The Honeymooners can’t be all bad.
But eventually, the connection between media elites and their audiences began to fracture. Though apocryphal, the line frequently attributed to Pauline Kael of the New Yorker in 1972 sums up the growing chasm between the overculture—particularly the media—and its audience: “I don’t know how Nixon won. No one I know voted for him.”
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By the early 1970s, mass media had reached its zenith (if you’ll pardon the pun). Most Americans were getting their news from one of three TV networks’ half-hour nightly broadcasts. With the exception of New York, most big cities had only one or two primary newspapers. And no matter what a modern newspaper’s lineage, by and large its articles, except for local issues, came from global wire services like the Associated Press or Reuters; it took its editorial lead from the New York Times; and it claimed to be impartial (while usually failing miserably).
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Thursday, September 27, 2007
Atlas Mugged: How a Gang of Scrappy, Individual Bloggers Broke the Stranglehold of the Mainstream Media
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