Shelby Steele (who is black enough to comment) talks about the Civil-Rights establishment and its foot-stomping tantrum because it was not able to intimidate the jury into convicting George Zimmerman.
The verdict that declared George Zimmerman not guilty of murdering Trayvon Martin was a traumatic event for America's civil-rights establishment, and for many black elites across the media, government and academia. When you have grown used to American institutions being so intimidated by the prospect of black wrath that they invent mushy ideas like "diversity" and "inclusiveness" simply to escape that wrath, then the crisp reading of the law that the Zimmerman jury displayed comes as a shock.On television in recent weeks you could see black leaders from every background congealing into a chorus of umbrage and complaint. But they weren't so much outraged at a horrible injustice as they were affronted by the disregard of their own authority. The jury effectively said to them, "You won't call the tune here. We will work within the law."[snip]Why did the civil-rights leadership use its greatly depleted moral authority to support Trayvon Martin? This young man was, after all, no Rosa Parks—a figure of indisputable human dignity set upon by the rank evil of white supremacy. Trayvon threw the first punch and then continued pummeling the much smaller Zimmerman. Yes, Trayvon was a kid, but he was also something of a menace. The larger tragedy is that his death will come to very little. There was no important principle or coherent protest implied in that first nose-breaking punch. It was just dumb bravado, a tough-guy punch.The civil-rights leadership rallied to Trayvon's cause (and not to the cause of those hundreds of black kids slain in America's inner cities this very year) to keep alive a certain cultural "truth" that is the sole source of the leadership's dwindling power. Put bluntly, this leadership rather easily tolerates black kids killing other black kids. But it cannot abide a white person (and Mr. Zimmerman, with his Hispanic background, was pushed into a white identity by the media over his objections) getting away with killing a black person without undermining the leadership's very reason for being.The purpose of today's civil-rights establishment is not to seek justice, but to seek power for blacks in American life based on the presumption that they are still, in a thousand subtle ways, victimized by white racism. This idea of victimization is an example of what I call a "poetic truth." Like poetic license, it bends the actual truth in order to put forward a larger and more essential truth—one that, of course, serves one's cause. Poetic truths succeed by casting themselves as perfectly obvious: "America is a racist nation"; "the immigration debate is driven by racism"; "Zimmerman racially stereotyped Trayvon." And we say, "Yes, of course," lest we seem to be racist. Poetic truths work by moral intimidation, not reason.
Read the whole thing.